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Melophobia features Come A Little Closer, a psychadelic song that is pretty catchy, but it is the only song from the album I really like. Aberdeen is also worth a listen, as it features an extremely catchy chorus, but the verses aren’t too great in my opinion. In addition to having one of my favorite music videos, the song is fantastic. Shake Me Down from Thank You Happy Birthday is a song that stands out, however. I expected great things from these albums because their first was so good, but I was disappointed with them. The band has released two more albums, Thank You Happy Birthday in 2011 and Melophobia in October of 2013. Despite what critics say, it put them on the map. Cage the Elephant’s first album is a huge success in my eyes, featuring influences from classic rock, blues, and funk mixed with a garage band feel. The album stays strong through the end, featuring short, fast-paced songs like Drones in the Valley, Judas, and Soil to the Sun. It starts off slow and soft and gradually turns into a high-energy song with one of my favorite short guitar solos. Back Against the Wall is one of my favorite songs on the album. The fourth track, Tiny Little Robots, has the strangest premise that we’re all robots, but it is a playful song with a catchy, fast paced introduction that shifts into a slower, but still playful conclusion. It has a great simplicity to it and is a fun, witty story to listen to. I enjoyed it just as much as the first couple times. Ain’t No Rest for the Wicked is an imaginative ballad about some wicked minds. The following track, James Brown, is a smooth-flowing and catchy tune that maintained a similar sound as the first track but a completely different one at the same time. At the end of the song, the message is so nicely stated for us: “Here’s the moral to the story, we don’t do it for the glory, we don’t do it for the money, we don’t do it for the fame, so all you critics that despise us, go ahead and criticize us, it’s your tyranny that drives us, adds the fire to our flame.” In addition to being an excellent song, In One Ear sets the tone for who the band of nobodies from Kentucky truly is and sets the album up for success. “They say that we ain’t got the style, we ain’t got the class, we ain’t got the tools that’s gonna put us on the map”, and eventually my personal favorite, “The crowd will only like us if they’re really fucking drunk.” But, as Shultz says, it “goes in one ear and right out the other.” Being the first song on their first album, it sets a perfect identity for who Cage the Elephant is. The opening track, In One Ear, opens with a catchy guitar riff and is followed up by lead singer Shultz listing off all of the things critics of his band say. To this day, it is one of my favorite albums to listen through. At the time I first heard them, this was the only album they had out, so I decided to listen to it.
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Their self-titled album was released on Jin the UK and Apin the US. They moved to London, England, where they began recording their first album. They played at the South by Southwest music festival in 2007, where they were discovered and subsequently signed by Relentless Records. They formed in 2006 with 5 members: singer Matt Shultz, guitarist Brad Shultz, bassist Daniel Tichenor, drummer Jared Champion, and lead guitarist Lincoln Parish. I decided to look into them.Ĭage the Elephant is from Bowling Green, Kentucky. It had a unique sound, like it was just a garage band having a jam session.
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It was called Ain’t No Rest for the Wicked by a band named Cage the Elephant. I just remembered I really liked it.Ī couple of days later, I heard that same song on the radio, and I finally learned what it was. I wasn’t paying that much attention to who it was at the time, and I didn’t remember to check what the song was. A couple years ago, I was listening to Pandora radio while “doing my homework”, and I heard a short, catchy tune with a unique sound.